The Marcus King Band, returning to Rooster Walk for the third straight year due to patron demand!
“Forgive me for I have sinned,” Marcus King implores, on the gorgeous, contemplative “Confessions,” an essential track from The Marcus King Band’s third full-length album, Carolina Confessions. “The pain that I put you through is killing me inside/Thought if I could make you leave/Then you would see/I ain’t worth a damn anyway.” This highly revealing moment from the multi-talented, confident 22-year old artist gets to the heart of the album’s fundamental themes, guilt and the quest for absolution.
Carolina Confessions is confirmation of a preternaturally mature artist coming into his own; it’s a sprawling, scintillating work that affirms King as one of today’s most engaging, singular songwriters. He may be young, but King’s eloquent songs, expressive guitar playing, and ecstatically soulful singing mark this gifted, thoughtful young prodigy as a force to be reckoned with.
King has been writing songs, performing onstage for half his lifetime and fronting his own groups for nearly a decade. Since he was a teenager, he’s been trading licks with famous fans and mentors Warren Haynes and Derek Trucks whenever their paths have crossed. Haynes was so blown away by the then-19-year-old’s artistic precocity that he signed King to his Evil Teen label, released the band’s debut album, Soul Insight, in 2015 and produced the band’s self-titled follow-up a year later.
Produced and mixed by Grammy Award-winner Dave Cobb (Chris Stapleton, Sturgill Simpson, John Prine, Jason Isbell) and recorded at Nashville’s iconic RCA Studio A, Carolina Confessions finds King and his five bandmates—drummer Jack Ryan, bass player Stephen Campbell, trumpeter/trombonist Justin Johnson, sax player Dean Mitchell and keyboard player DeShawn “D-Vibes” Alexander—taking a major leap as an expansive and dexterous musical unit.
“We immediately hit it off with Dave because of the way he works,” says King. “There’s six of us, and we have our own arbitration process; he was really understanding of the fact that this is a band. His production style is not so hands-on, and we’d all seen what a good producer does—and more importantly what he doesn’t do—from working with Warren on the last record. We went into the studio straight off the road, and I didn’t have an opportunity to even send a cellphone recording of the songs that I’d finished. So, we made it a point to start with those songs and build them from the ground up. That kept it very fresh.”
King penned all the material himself, except the swaggering “How Long,” which he co-wrote with the Black Keys’ Dan Auerbach and veteran songsmith Pat McLaughlin. “Every tune on this record is based around a central theme, which is that none of us are blameless at the end of a relationship,” King points out. “Basically, Carolina Confessions is about me leaving my home town, explaining why I would do that, and why I felt like it was taken from me—just sharing in some of the blame of why a relationship didn’t work.”